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    <title>Charles Oppenheim on Ariadne</title>
    <link>http://www.ariadne.ac.uk/authors/charles-oppenheim/</link>
    <description>Recent content in Charles Oppenheim on Ariadne</description>
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      <title>Book Review: The E-copyright Handbook</title>
      <link>http://www.ariadne.ac.uk/issue/70/oppenheim-rvw/</link>
      <pubDate>Fri, 30 Nov 2012 00:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/70/oppenheim-rvw/</guid>
      <description>Paul Pedley is a name that needs no introduction to aficionados of copyright textbooks, being the author of several such books published by Facet Publishing in the past (and reviewed by Ariadne [1][2][3][4][5]).&amp;nbsp; His latest effort, The E-copyright Handbook, attempts to cover the fast-moving and complex world of electronic copyright, using an interesting approach.&amp;nbsp; Rather than the traditional way of such books, describing the media and describing the rights granted to copyright owners, the way the law applies to each media type, exceptions to copyright and so on, his approach is a mixture but with some emphasis on activities, as a glance at the chapter titles shows: Introduction, Content Types, Activities, Copyright Exceptions, Licences, the Digital Economy Act, Enforcement and The Hargreaves Review.</description>
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      <title>Book Review: Introductory Concepts in Information Science</title>
      <link>http://www.ariadne.ac.uk/issue/65/oppenheim-rvw/</link>
      <pubDate>Fri, 29 Oct 2010 23:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/65/oppenheim-rvw/</guid>
      <description>With a title like that, one would expect a primer, introducing all the key concepts of information science to someone studying the topic for the first time at undergraduate or Masters&#39; level, and possibly for the interested layman. Such a book would be a worthy successor to Chris Hanson&#39;s Introduction to Science Information Work, and Roger Meetham&#39;s Information Retrieval, both of which were first published about 40 years ago. Sadly, however, this book does not fulfil the promise of its title.</description>
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      <title>Book Review: Copyright - Interpreting the Law for Libraries, Archives and Information Services</title>
      <link>http://www.ariadne.ac.uk/issue/62/oppenheim-rvw/</link>
      <pubDate>Sat, 30 Jan 2010 00:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/62/oppenheim-rvw/</guid>
      <description>This is the fifth edition of what is, obviously, a very successful title. The previous edition was published in 2004, and five years is a long time in copyright law and practice, so it was felt no doubt that a new edition was due. However, as I will explain at the end of this review, that decision may have been unsound.
The book follows its normal format of a series of questions regarding UK copyright law and practice, with brief answers.</description>
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      <title>Why Pay for Content?</title>
      <link>http://www.ariadne.ac.uk/issue/60/why-pay-for-content-rpt/</link>
      <pubDate>Wed, 29 Jul 2009 23:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/60/why-pay-for-content-rpt/</guid>
      <description>This widely publicised half-day event [1] was held at the famous lecture theatre in the Royal Institution that is used for the Royal Institution&amp;rsquo;s Christmas lectures for children. I remember going to the lectures in 1962; I can&amp;rsquo;t remember what the topic was, but I remember thinking how large the lecture theatre was. Well, 47 years later, it seems to have shrunk in size. At this point, I must declare an interest: I was one of the speakers; readers should bear this fact in mind when evaluating the objectivity of my report.</description>
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      <title>Googlepository and the University Library</title>
      <link>http://www.ariadne.ac.uk/issue/53/manuel-oppenheim/</link>
      <pubDate>Tue, 30 Oct 2007 00:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/53/manuel-oppenheim/</guid>
      <description>The development of an increasing array of tools for storing, organising, managing, and searching electronic resources poses some interesting questions for those in the Higher Education sector, not least of which are: what role do repositories have in this new information environment? What effect is Google having on the information-seeking strategies of students, researchers and teachers? Where do libraries fit within the information continuum? And ultimately, what services should they look to provide for their users?</description>
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      <title>Models of Early Adoption of ICT Innovations in Higher Education</title>
      <link>http://www.ariadne.ac.uk/issue/50/oppenheim-et-al/</link>
      <pubDate>Tue, 30 Jan 2007 00:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/50/oppenheim-et-al/</guid>
      <description>One of the common dilemmas faced by developers of information communication technology (ICT) initiatives is how to go about identifying potential early adopters of their service. This article outlines background research into this area and details the approaches taken within the JISC-funded Rights and Rewards in Blended Institutional Repositories Project to locate these key individuals within a Higher Education (HE) environment. The concept of an innovation is discussed and the differences between the terms innovation and invention are outlined.</description>
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      <title>Creative Commons Licences in Higher and Further Education: Do We Care?</title>
      <link>http://www.ariadne.ac.uk/issue/49/korn-oppenheim/</link>
      <pubDate>Mon, 30 Oct 2006 00:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/49/korn-oppenheim/</guid>
      <description>Creative Commons [1] is helping to instigate cultural change: it is empowering rights holders with the knowledge and tools to decide under what terms they wish third parties to use their creations, whilst permitting users easy and user-friendly means to use content lawfully without the necessity of requesting permission. The release of the Creative Commons licences has inspired a global revolution, supported by a sub-culture with its own identity, ideology, activities and membership [2] and the spawning of other model licences developed with a similar philosophy, such as Science Commons [3], Patent Commons [4] and Creative Archive [5].</description>
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      <title>Book Review: The History and Heritage of Scientific and Technological Information Systems</title>
      <link>http://www.ariadne.ac.uk/issue/46/oppenheim-rvw/</link>
      <pubDate>Wed, 08 Feb 2006 00:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/46/oppenheim-rvw/</guid>
      <description>This 420-page paperback includes the papers of a 2002 conference on the history of information retrieval systems. It comprises 33 contributed papers (with remarkably little overlap), together with details about the contributors and an excellent index. The papers are organised in five broad sections - interdisciplinary perspectives, organising and managing information, chemical informatics, national developments and developments in international systems (such as INIS and AGRIS). Some of the contributors are old-timers recalling how things were from their own perspectives, but most papers were accounts based on researching and interpreting the (often obscure) old literature.</description>
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      <title>Book Review: Introduction to Modern Information Retrieval</title>
      <link>http://www.ariadne.ac.uk/issue/39/oppenheim-rvw/</link>
      <pubDate>Thu, 29 Apr 2004 23:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/39/oppenheim-rvw/</guid>
      <description>This substantial (470-page) paperback is the second edition of one of the few UK-based textbooks on information retrieval (IR). The first edition appeared in 1999, and was criticised for being badly out of date and at times too complex for its intended undergraduate and postgraduate student audience. How does this second edition stack up?
The first thing to say is that it is a lot better than the first edition - there are a number of new chapters that are well written and up to date, and some of the chapters that also appeared in the first edition have had errors removed.</description>
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      <title>The RoMEO Project: Protecting Metadata in an Open Access Environment</title>
      <link>http://www.ariadne.ac.uk/issue/36/romeo/</link>
      <pubDate>Tue, 29 Jul 2003 23:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/36/romeo/</guid>
      <description>The Open Archives Initiative&amp;rsquo;s Protocol for Metadata Harvesting (OAI-PMH) enables the &amp;lsquo;disclosure&amp;rsquo; of metadata by Data Providers and the harvesting of that metadata by Service Providers. Although there is nothing to stop commercial providers from utilising this open-source protocol [1], it has its roots in the open access community and as such is used by many open archives. These include subject-based archives such as ArXiv [2], CogPrints [3], and the increasing number of Institutional Repositories, many of which have been established as a result of funding via the UK JISC FAIR (Focus on Access to Institutional Repositories) programme [4].</description>
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      <title>Mandated Online RAE CVs Linked to University Eprint Archives: Enhancing UK Research Impact and Assessment</title>
      <link>http://www.ariadne.ac.uk/issue/35/harnad/</link>
      <pubDate>Tue, 29 Apr 2003 23:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/35/harnad/</guid>
      <description>Being the only country with a national research assessment exercise [1], the UK is today in a unique position to make a small change that will confer some large benefits. The Funding Councils should mandate that in order to be eligible for Research Assessment and funding, all UK research-active university staff must maintain (I) a standardised online RAE-CV, including all designated RAE performance indicators, chief among them being (II) the full text of every refereed research paper, publicly self-archived in the university&#39;s online Eprint Archive and linked to the CV for online harvesting, scientometric analysis and assessment.</description>
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      <title>Copyright Corner</title>
      <link>http://www.ariadne.ac.uk/issue/14/ccc/</link>
      <pubDate>Thu, 19 Mar 1998 00:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/14/ccc/</guid>
      <description>The Web and legal deposit Paul Auchterlonie, University of Exeter Library (J.P.C.Auchterlonie@exeter.ac.uk) asked:  From what I have read of your column in Ariadne, any downloading and storage by an ordinary library of material from a Web site is a straightforward infringement of copyright, unless the agreement of the copyright owner is obtained in advance. However, if this permission is granted, are there any other laws, preventing the library from making material produded on a Web site or in e-journal form available to its readers in hard-copy?</description>
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      <title>Copyright Corner</title>
      <link>http://www.ariadne.ac.uk/issue/13/ccc/</link>
      <pubDate>Mon, 19 Jan 1998 00:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/13/ccc/</guid>
      <description>Reproduction of Table of Contents Nicholas Joint, Andersonian Library, University of Strathclyde, asked:  This puzzles me- it is clearly a breach of copyright to digitise tables of contents from journals and circulate them to library users as a form of current awareness service without explicit prior permission from the copyright holder for each Table of Contents (TOC). The table of contents is effectively the first complete article in a journal and has to be treated as such.</description>
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    <item>
      <title>Copyright Corner</title>
      <link>http://www.ariadne.ac.uk/issue/12/ccc/</link>
      <pubDate>Wed, 19 Nov 1997 00:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/12/ccc/</guid>
      <description>Questions raised by The Royals Fytton Rowland, Lecturer, and Programme Tutor for Information and Publishing Studies, Department of Information and Library Studies, Loughborough University, asked a series of questions sparked off by the publication of Kitty Kelly&amp;rsquo;s book about the royal family [Charles] Assuming the UK courts state the book is defamatory, in my view the answers to Fytton&amp;rsquo;s questions are:  1. If I go to the USA, buy a legitimate copy of the book in a bookshop, and bring it back to the UK in my suitcase, am I infringing any law, and could customs confiscate it?</description>
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      <title>Copyright Corner</title>
      <link>http://www.ariadne.ac.uk/issue/11/ccc/</link>
      <pubDate>Thu, 18 Sep 1997 23:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/11/ccc/</guid>
      <description>Old photos From Dr. Raymond Turley, Southampton University:  I am still confused about the position of elderly photographs following relatively recent changes to UK copyright law. I have yet to see a reasonably definitive statement of what the situation now is, and the last time I looked into the matter, it seemed that in some cases in order to determine whether or not an old photograph is in copyright (or likely to be so), you had to be aware of how it might be treated under the law of another EU state!</description>
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      <title>Copyright Issues in Projects Funded by the Electronic Libraries Programme</title>
      <link>http://www.ariadne.ac.uk/issue/7/copyright-corner/</link>
      <pubDate>Sun, 19 Jan 1997 00:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/7/copyright-corner/</guid>
      <description>In this paper I will discuss some of the major copyright issues that have arisen as a result of experiences of the eLib.
This paper assumes readers are familiar with the basic ground rules about who owns copyright, what it is, the restricted acts that are given to the copyright owner, the exceptions such as fair dealing and the library copying provisions, the lifetime of copyright, and so on. I would just emphasise a couple of points of law.</description>
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      <title>Copyright Battles: The Shetland News</title>
      <link>http://www.ariadne.ac.uk/issue/6/copyright/</link>
      <pubDate>Tue, 19 Nov 1996 00:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/6/copyright/</guid>
      <description>On 24 October 1996, Lord Hamilton gave in a Scottish court a preliminary interdict (equivalent to injunction in English law) to prevent the Shetland News, an Internet based newspaper, from offering links from its WWW pages to those of its rival Internet newspaper, the Shetland Times. Right now, the Shetland News is appealing for funds to help fight the case in 1997.
The wording of the interdict includes the following key text (I trust I am not infringing copyright by reproducing it):</description>
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      <title>Copyright Info on the Net</title>
      <link>http://www.ariadne.ac.uk/issue/5/copyright/</link>
      <pubDate>Wed, 18 Sep 1996 23:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/5/copyright/</guid>
      <description>Copyright is an exceptionally popular subject on the Web, as a simple search on Alta Vista or one of the Web Crawlers will show. The usual rag bag of articles, advertising announcements, academic sites and so on will be picked up by such searches. In this brief article, I want to draw attention to some of the sites that I find useful when wandering lost in cyberspace. The sites are in no particular order, and many of them are linked to each other.</description>
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      <title>Moral Rights</title>
      <link>http://www.ariadne.ac.uk/issue/4/copyright/</link>
      <pubDate>Thu, 18 Jul 1996 23:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/4/copyright/</guid>
      <description>In previous papers for Ariadne, I have examined some general copyright issues for eLib projects, and copyright problems associated with Electronic Copyright Management Systems. In this paper, I want to look at some of the effects of Moral Rights legislation on electronic library developments.
Moral Rights give the creator of some copyright works, including literary works, artistic works and films, three rights. The first is the right of the author of a work to be acknowledged as the author or creator.</description>
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      <title>Copyright Corner</title>
      <link>http://www.ariadne.ac.uk/issue/3/copyright/</link>
      <pubDate>Sat, 18 May 1996 23:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/3/copyright/</guid>
      <description>Part of the basic philosophy of the eLib programme is to explore issues to do with copyright, to engender culture change amongst librarians, users and copyright owners about copyright, and to explore novel contractual or technical means to overcome the difficulties that copyright poses. In this article, I look at some of the major project lines and the copyright issues that might be raised from them.
On demand publishingThe major issue that has arisen is negotiating rights from publishers for scanning the material in that subsequently is offered under on demand publishing.</description>
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      <title>Copyright Corner</title>
      <link>http://www.ariadne.ac.uk/issue/2/copyright/</link>
      <pubDate>Tue, 19 Mar 1996 00:00:00 +0000</pubDate>
      
      <guid>http://www.ariadne.ac.uk/issue/2/copyright/</guid>
      <description>The owner of a copyright has the right to prevent others from selling, hiring out or renting, copying it in any form, performing the work in public, broadcasting the work on radio or TV, or amending (&#34;adapting&#34;) it. These acts are the so-called restricted acts. Anyone who does any of these acts without permission is deemed to have infringed the copyright and can be sued for damages. Infringement is subject to the requirement that either all the work, or at least a &#34;</description>
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