Skip to Content

Overview of content related to 'university for the creative arts'

Syndicate content

This page provides an overview of 6 articles related to 'university for the creative arts', listing most recently updated content first. Note that filters may be applied to display a sub-set of articles in this category (see FAQs on filtering for usage tips). Select this link to remove all filters.

 'Inspecting article' image: copyright, used under license from shutterstock.com
The University for the Creative Arts is a specialist art and design university in the south of England. The university was formed in 2005 as University College for the Creative Arts at Canterbury, Epsom, Farnham, Maidstone and Rochester, through the merger of the Kent Institute of Art & Design and Surrey Institute of Art & Design, University College. It was granted full university status by the Privy Council in May 2008 and adopted its current name officially in September 2008. The origin of the university lies in a number of independent public art and design colleges in the counties of Kent and Surrey, almost all of which had origins in the Victorian period. In the 1990s these merged to form multi-campus art and design institutes in their respective counties, before merging into one organisation in 2005. (Excerpt from Wikipedia article: University for the Creative Arts)

Key statistics

Metadata related to 'university for the creative arts' (as derived from all content tagged with this term):

  • Number of articles referring to 'university for the creative arts': 6 (0.3% of published articles)
  • Total references to 'university for the creative arts' across all Ariadne articles: 47
  • Average number of references to 'university for the creative arts' per Ariadne article: 7.83
  • Earliest Ariadne article referring to 'university for the creative arts': 2009-07
  • Trending factor of 'university for the creative arts': 1437.8 (see FAQs on monitoring of trends)

See our 'university for the creative arts' overview for more data and comparisons with other tags. For visualisations of metadata related to timelines, bands of recency, top authors, and and overall distribution of authors using this term, see our 'university for the creative arts' usage charts. Usage chart icon

Top authors

Ariadne contributors most frequently referring to 'university for the creative arts':

  1. marie-therese gramstadt (see articles on this topic by this author)
  2. jean vacher (see articles on this topic by this author)
  3. laura skilton (see articles on this topic by this author)
  4. matt ramirez (see articles on this topic by this author)
  5. guyda armstrong (see articles on this topic by this author)

Note: Links to all articles by authors listed above set filters to display articles by each author in the overview below. Select this link to remove all filters.

Title Article summary Datesort icon

Institutional Repositories for Creative and Applied Arts Research: The Kultur Project

Andrew Gray discusses institutional repositories and the creative and applied arts specifically in relation to the JISC-funded Kultur Project.

July 2009, issue60, feature article

Locating Image Presentation Technology Within Pedagogic Practice

Marie-Therese Gramstadt contextualises image presentation technology and methods within a pedagogic framework for the visual arts.

October 2010, issue65, feature article

Kultivating Kultur: Increasing Arts Research Deposit

Marie-Therese Gramstadt discusses how the JISC-funded Kultivate Project is encouraging arts research deposit in UK institutional repositories.

March 2012, issue68, feature article

Augmented Reality in Education: The SCARLET+ Experience

Laura Skilton, Matt Ramirez, Guyda Armstrong, Rose Lock, Jean Vacher and Marie-Therese Gramstadt describe augmented reality in education case studies from the University of Sussex and the University for the Creative Arts.

July 2013, issue71, feature article

KAPTUR the Highlights: Exploring Research Data Management in the Visual Arts

Leigh Garrett, Marie-Therese Gramstadt, Carlos Silva and Anne Spalding describe the exploration of the importance and nature of research data in the visual arts and requirements for their appropriate curation and preservation.

July 2013, issue71, feature article

Editorial Introduction to Issue 71

The editor introduces readers to the content of Ariadne Issue 71.

July 2013, issue71, editorial

CSVXML
Syndicate content


about seo